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The single was released February 5, 2008, as a digital download. It was released prior to Kid Cudi's signing to the GOOD Music label. The song initially appeared on Cudi's first official project, a mixtape titled A Kid Named Cudi, released in July 2008, in collaboration with New York street-wear brand 10.Deep as a free download.[12] The mixtape caught the attention of Kanye West, whose then-manager Plain Pat, had introduced Cudi's music to him, subsequently leading West to sign Cudi to his GOOD Music imprint later that year.
\"Day 'n' Nite\" was remixed by Italian production duo Crookers. The remix was first published as a free download by Fool's Gold Records in March 2008,[14] and released commercially in the United States in August 2008.[15] It was released in the United Kingdom in January 2009 through Data Records,[16] debuting and peaking at number two on the UK Singles Chart for two weeks, behind Lady Gaga's \"Just Dance\".[17] The remix also charted throughout Europe, reaching the top ten in Belgium, the Netherlands and France. In Australia, the remix and the original charted separately, with the remix reaching number 15 while the original reached number 40.[18] The remix had been selected by BBC Radio 1 Xtra presenter MistaJam as his weekly \"Jam Hot\" record in April 2008,[19] and was song of the week on Belgian radio station Studio Brussel in December 2008.[20] A video was released without Cudi's permission for this version of the song that Cudi expressed displeasure with. He issued an explanation on his blog and asked that all bloggers remove the video from their blogs.[21] The Crookers remix is often played during his concerts, as a continuation of the original version.[citation needed] At the Beatport Music Awards of 2009, with nominees selected by unit sales on Beatport within 2008, the Crookers remix won the category \"Best Indie Dance / Nu Disco Track\".[22]
There was one important difference to separate Digital Pictures from most of the others jumping on the full-motion-video bandwagon. These others tended to focus on the high-end personal-computer marketplace, where CD-ROM drives were slowly but steadily winning acceptance, and where the hardware in general dramatically outclassed that of the consoles. But Zito was a mass-media populist by instinct; he wanted to bring his interactive movies to the living rooms of everyone, not just to the dens, offices, and bedrooms of a privileged few. 153554b96e
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